72 back of 46 73 48 SCHOOLS OF VENICE. great step: at this point the Saracenic arches in St Marks This moulding d is most usually this Mu[o]s[n]t have been built and from them, by merely sharpening in even with a shorter cavette It is School No 4. the bend of the arch, we have directly the arch d: this I that of the lower arches: both pointed and round, of find in the same house with c, ponte dei Caleghieri, execu- the Casa d’Oro, which are much older than the rest. ted with the moulding d: this change in the moulding is a great step, and must be examined thoroughly. Now I find in the same house, the dinwod e, worked with the simpler section e opposite, the shaded part on the right being the cusp: and without any final the dentils meeting in sharp point: and in the traghetto Gargoni - Garzone This stream of Gothic, I imagine. I shall have to turn a fine example of the window and worked with the section d up from Pisa: There the Romanesque forms show a transi- with a trefoiled cusp added: and the window d above with tional character to Gothic as at Venice the Byzantine; and the same section; and no finials to any: but magnified a much purer one: I must trace till I fully understand shafts with dog tooth band. whenever arose that singularly pure simple and Now; it appears to me that just at this period, came in the perfect Gothic, of which the Palazzo publica at Como stream (x) of Gothic which forms its first poole or eddies and Milan are so beautiful examples: and whose leading in the churches f San Stefano, San G and Paul &c - and characteristics are, 1st coloured voussoirs of red brick that the first result of this concurrence was the inspirat- and white or green serpentine and white: Exquisite masonry tion of the finials; which formed a permanent type for som of these voussoirs, Springing or radiant, vide p 50. time; The appearance of the circles must date I think from the windows of the Feari being imitated in the palazzo Cavalli: Thus there are however two forms in which the circle seems first to appear; the one, an expansion of the inserted circle with [cont. 57]
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