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[M.48L]                                                               [M.48]	Schools of Venice	48
[diagrams]                                                            
                                                                      		great step:  At this point the Saracenic arches in St Marks
                                                                      		must have been built and from them, by merely sharpening
This moulding d is most usually thus [diagram] or even with           School No 4.	the bend of the arch, we have directly the arch d:  This I
a shorter cavetto [diagram]: It is that of the lower                  		find in the same house with c, ponte dei Caleghieri;
arches:  both pointed and round, of the Casa d’Oro,                   		executed with the moulding d:  This change in the moulding
which are much older than the rest.                                   		is a great step, and must be examined thoroughly.  Now I
                                                                      		find in the same house, the window e, worked with the
                                                                      		simpler section e opposite, the shaded part on the right being
                                                                      		the cusp:  and without any finial - the dentils meeting
                                                                      		in sharp point: and in the traghetto Garzoni - Garzoni
                                                                      		a fine example of the window & worked with the section d
This stream of Gothic, I imagine I shall have to turn up from Pisa.   		with a trefoiled cusp added:  and the window d  above
There the Romanesque forms show a transitional character to Gothic    		with the same section;  and no finials to any:  but magnificent
as at Venice the Byzantine;  and a much purer one:  I must trace      		shafts with dog tooth band.
this till I fully understand whence arose that singularly pure        		Now;  it appears to me that just at this period, came in the
simple & perfect Gothic, of which the Palazzo publico at Como         		stream * of Gothic which forms its first pools or eddies in
and Milan are so beautiful examples: and whose leading characteristics		the churches of San Stefano, San G & Paul, &c: and that
are - 1st coloured voussoirs of red brick & white or green serpentine 		the first result of this concurrence was the imposittion of the
& white:  Exquisite masonry of these voussoirs, Springing or radiant  		finials; which formed a permanent type for some time.
vide p 50.                                                            		The appearance of the circle, must date I think from the
                                                                      		windows of the Frari being imitated in the palazzo Cavalli
                                                                      		: Thus there are however two forms in  which the circle seems
                                                                      		first to appear;  the one, an expansion of the inserted circle with

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[Version 0.05: May 2008]