[M.141L] [M.141] Ca Loredan. Ca Farsetti 141 instructive to the architect than the rich and perfect effect of the touches of shade on these capitals: and their delicious value and point - seen from below: though above, they have not even the usual Byzantine artifice of undercutting. far less the precise lines and delicate chiselling of the Fondaco di Turchi. They are every way blunt & miserable in cutting but the design so good, and the point of shade so set - witness the wreath at p 50: when the stems are carefully roundedxxand deep cut down - though not under - and where the use of the (ivy?) leaf is peculiarly dextrous: the pattern of leaf is varied on every one of the shafts that have it, but is the same in style. The Gothic work is later: and as far as I could see, very good; I think middle of 14th century, or perhaps later:xxthe features of the Venice well cut and refined. In fig 1 the section of capital gives the leaves of the rude imitative Corinthian one. Note the strange shape of the bell-like St Marks inside. Palazzo Farsetti. p 52 Housebook 2. On left hand page elevation of the extremity next Rialto of lower ground story, remarkable for the rich development of the panel arch. In order to have the elevation correctly complete another small round arch, and add moulding as far as to x1 on the left. Above x in
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