[M.139L] [M.139] No 114 Murano. Duomo. House at Murano 139 as I once thought. deduce it entirely from the chipped slab: Figs 2. 3. Section and profile of one of the capitals of lower story of apse. There are however more graceful ones than this: In 2 the Two or three of the capitals are in red marble. concave line is the bell & convex flower work - at the angle: at the side it would be as at 5, or perhaps more correctly 6. [diagram] of course no undercutting: 4 is leaf a of capital more accurate. Note these caps are browned or discoloured down to their point - though of marble. Thejointsshafts are the purest white Fig 1 is their base as far as the wear admits of its outline being felt. It has no angle leaves: the mouldings are circular down to p, and stand on the plain square plinth below. House at Murano p 53 l Goth book. Tracery of larger right hand window: A tracery bar and cusps. B. archivolt the rest explains itself only note the archaic and ugly setting of cusp: and the entire and long coincidence of foils with smaller roll. The[?]cavetto in tracery bar should perhaps be a little deeper: and the cusp a little wider, to give thickness to the bar: The circle in middle of 4 foil carries a shield it projects a little above the cusps, being held as opposite fig 1. How different the ungraceful cusp pinned on to the curve as it were, from the scymitar one at page 48 l. No 114. Gives the windows looking to the garden, at the back of this same
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