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11 Back of 4. 12 5
Things to be drawn at Venice, if possible. or daguerro[d] MILAN. DUOMO.
1. Dentiled sq. of house p 1 Housbook (H) here at Milian (the aisles next nave) it is very bad:
2. Verification of Tracery: if semicircle of cusps p 65 Inconsistancy but when finally foliated as in fig 1 the inner lobes
and pillar band p 66. with round the outer with sharp foils - but all vulgar in
3. Verify section of door on No 49. in curve: and chasing each other round, the inner lobes
4. Get Masonry of archivolt and section of its filleted roll topsy turvy at one side and the outer at the other, it is
in No 50. per[f]fectly excusable: Note that the lips of the flamboyant
5. In no 47 I doubt chamfer of archivolt, fig 1 A. is, as of firm itself, its going up : and so sympathy
6. Sections of San Stefano capital No 30. with the red of Gothic) The fig 1 is ½ of the rose of the
7. For windows of fourth order: the house described here p 58 window in northern side of the triagenal apse.
seems valuable. Flamboyant That of the centre is worse still, its centre, instead
8. Verify shafts question Foscari No 56 and its door of being open foliated, is a circle enclosing a stone
section No 49 tracery of the common modulating star shape, fig 31/2 The
9. Fondaco de Luchi, large capital section uncertain. tracery of the rose of the central west window is given
10. Exquisite staircase close to San Francesco: at the Casa at p 30: there are five similar cre[w]scents, nautilus
Contarini di Porta di Ferro, with pointed arch balus- like, round the srat: the whole evidently founded on an
trade old pierced rose: the star in the centre ought to be
11. For latter del Rinodie Cross by Bianca Cappello turn to smaller and sharper as at[s] a½ The rest of the architecture
right and take bridge just before the fondemente dell among which this curious flamboyant is set, is a perpen-
Angelo. dicular with horizontal bars across: and with the most
12. Questions of cusps, Palasse Caralli p 93. detestable crocketing I have ever seen: utterly vile;
13. Palaz. Cavalli Count, return to not a ray of invention in a single form: at p 30 1 is
14. See the abbazia della Misericordia rudely given the a rangement above the transept windows:
15. St Aloise or St Lodovico with the lower base finial laterally a given di licuto
Colonna d’Infamia alla Ponto della Croce - vicino alla like Adam of Russia in Dante, the one above ends in a
Guardino Capo d’Opoli square vinquecento kind of altar shaped table: it is
St Andrea - Vid also p 135. curious to see the abused ogee below mixed with the
form of a better time above
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[Version 0.05: May 2008]