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159 127
FRARI WOOD WORK OF
its upper most dentils is seen in position below: the
section of the chopped moulding conjectionally at b: (I
could not get near enough to be sure) and then would be
from 45 to 50 chops on the outermost moulding at a and abou
12 on each side the acute arches.
Compare with this the elaborate lare use of the dogt:
on the Scala tombs: to which Prout has given so fine
effect and so go on, to the Cornice here - which them-
selves we a mere open worked chapped angle, and the
elaborate dogtooth on plane surfaces of later lines.
Compare also the pseudo or bevelled dogtooth at p 4
Gothic book.
Flamboyant arch: Observe form adopted in stalls of Frari p 6
Gothic book: a round boss, cut into flamboyant tracery
in fact, one of the balls of St Marks, only cut into flam-
boyaht arches instead of leaves: See in all things how
the Itlian flamboyant is base, from being founded on early
forms: compare what I have said about Milan.
This stall work is given by Selvatic to 1475, and it is
but by Venice and its lagoons to Marco del fu Gianpietro curious that its crocketing is more chaste than that of
da Vicenna in 1468. It quotes inscription on right hand the Pacific tomb, 1437: Note what Selva says in his igno-
as one goes in "Mare Q Ich Petri D Vicentia fec Hoc Op rance about Sediscan artists at p 148 - for if ever
1468" Selvatico has been misled by the inscription on there was anything purely Italian it is that
the frieze of the "prospetto dell coro" which is 1475
the vid next page
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[Version 0.05: May 2008]