[M.46L] [M.46] No 24, 25, 26, 27, 28, 29. Church of the Frari 46 & San G. and P. the Byzantine modified by point, and altered in tracery [diagram]: Then [diagram]: and then - I want the earliest case of foliation - then there is a great gulph. which I cannot cross. Question 1st. Examine the windows [diagram] with a view to this: noting house described in No 19. Once this gulph passed; one goes on to the Doges’ palace - but into what did the doge’s palace die? It breaks off abruptly - or q. does the second current of Gothic fall in & sweep it away. Again, the churches of San G & Paolo and the Frari are of an ancient & barbarous gothic - associated with Verona and the Lombards; with delicate but flat Lombard capitals: Now note that the arch section of the Frari nave - rudely drawn on No 24, is precisely the same as the window section of the house in No 19: How strange if this should be the correspondent ecclesiastical period. There must howver have been foreign architects - the builders of those Byzantine houses never could have borne the rude shaft, untapered of the Frari. Foliation. With this style, foliation is rapidly associated, vide drawing of upper & lower window of the apse of the Frari, No 25. But where did this skill in vaulting Question 2nd and in foliation come from? Consider also, this bold vaulting without external buttress
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